Omolio Folk-Agricultural Showroom Marinos Antipas

Address: Omolio local community, Agia, Larissa
Tel.: +30 24943 50100

WORKING HOURS
TICKETS

Free

Share it!

Omolio Folk-Agricultural Showroom Marinos Antipas

Omolio is a historical settlement of the Municipality of Agia surrounded by great natural beauty. Located in a central location, 40 km from the capital of the Larissa regional administration, just three kilometers from the Athens-Thessaloniki national road and at a minimum distance from the sea. According to Homer, the city participated in the Amphictyony of Delphi, while the mint of Ancient Omoli was one of the greatest in central Greece. The ruins of this ancient city and citadel still remain close to current Omolio.

Conditions brought the village back  close to major historical events. This is the soil in which Marinos Antipas is buried, one of the most important figures of Greece in the fight to defend civil liberties. When Antipas came to Thessaly, where he took over as caretaker of the property of his uncle, he changed social conditions in the region. Although he was in a position of strength, he deleted agricultural debts, applied Sunday as a day off and set the remuneration of tenant farmers based on 75% of production (instead of 25% as was up to then in force). His murder was the natural consequence in a place dominated by lthe andowners of the time.

Μαρίνος Αντύπας / Marinos Antypas

Nowadays, the local community commemorates him, recognizing his contribution to changing social conditions, both in the region and across the country. It built a modest monument erected in Omolio where events are held every year in memory of the great fighter. At the same time, it gave his name to the small museum built in the village: Omolio Folk-Agricultural Showroom Marino Antipas, housed in the former Community chambers, located in the village square.
Today, the exhibition presents the tools used by the people for whom Antipas fought. Inaugurated on 18 March 2007 to mark the 100th anniversary of his death (murdered in 1907 in Pirgetos). Premechanical agricultural and foraging tools are hosted in the exhibition venue. Visitors can also admire tools of traditional occupations (fishermen, shoemakers, weavers, etc.) and objects from daily life of local people: handicrafts, embroidery and textiles, utilitarian household items (sofras (low tables), pots, pinakoti (bread levening boards)), local costumes, traditional clothing, woodwork items, postcards and engravings, coins, antique furniture, and a local bisiki (cot).

The collection includes artifacts that may be considered historical documents: a local’s military diary, which describes in detail the experience of the war in Asia Minor, but also photographs of social events and the occupations of the inhabitants. The showroom has a conference hall that holds 50-60 people.

Λαογραφικό-Γεωργικό Εκθετήριο Ομολίου Μαρίνος Αντύπας

Places like the Omolio Folk-Agricultural Showroom Marinos Antipas, although exhibiting objects from earlier times, alsoshow that traditional culture is not a static body of evidence that survives only in a museum. Because on the one hand, tools and materials actually bear witness to the immutable characteristics of an era (available resources, raw materials), however, they also reveal the basic principles of human creativity that lead to evolution. The name of the exhibition reminds us, at the same time, that this creativity should always be developed with concepts such as respecting the principles of human law and social justice.

Epikentro Publications| Nikolaos Chr. Papageorgiou—The Painters of Samarina: From the 18th to the 20th Century

Title:The Painters of Samarina: From the 18th to the 20th Century Author: Nikolaos Chr.Papageorgiou Publisher: Epikentro Subject: Art History Year: May 2026 Pages: 280 The painters of Samarina constitute one of the largest and longest-lasting artistic groups of the late Ottoman period. The first painters from Samarina to sign their works by mentioning their place of origin appeared in the late 18th century. During the 19th century, the number of painters from Samarina increased dramatically, and members of these “artistic” families continued their work into the early decades of the 20th century. The painters worked in ...More

By |June 17, 2026|Categories: Days of reading|0 Comments

ΕΜΣΤ Χ KÜNSTLERHAUS BETHANIEN| Residency for Greek artists

EMΣΤ | The National Museum of Contemporary Art Athens and Künstlerhaus Bethanien, Βerlin, announce the continuation of their collaboration with a second round of residencies for visual artists living and working in Greece, offering an opportunity to spend six months in Berlin. In addition to encouraging artistic production and critical reflection, the programme fosters exchange and dialogue among professionals working in arts and culture. The infrastructure and the international environment of the cultural centre offer an ideal setting for participants to experiment with new ideas, engage in critical debates and develop projects in various media. THE ...More

By |June 17, 2026|Categories: Announcements & Contests|0 Comments

The Acropolis Museum | Opening of the exhibition “Ancient Greek Art in Italy” | June 16–August 30, 2026

The opening of the exhibition “Inspiration. Ancient Greek Art in Italy” at the Acropolis Museum by the Minister of Culture, Dr. Lina Mendoni, and the Italian Minister of Culture, Dr. Alessandro Giuli were held on Monday, 15 June 2026. The exhibition was curated by Dr. Alfonsina Russo, Director of Italy’s Directorate for the Valorization of Cultural Heritage (DiVa), and the Director General of the Acropolis Museum, Professor Nikolaos Chr. Stambolidis, together with Roberta Alteri and Alessio De Cristofaro. The event was honored by the presence of the Italian Ambassador to Greece, Paolo Cuculi, and the Secretary ...More

By |June 17, 2026|Categories: Days of art|0 Comments

Athens Epidaurus Festival| Lysistrata, a hillarious opera: When Stamatis Kraounakis brought Dionysus and Apollo together| By Panos Liakos

By Panos Liakos Classicist - Translator - Film Historian In The Birth of Tragedy, Friedrich Nietzsche discusses the duality inherent in the evolution of art—the intertwining of the Apollonian and the Dionysian elements. These are the two impulses that most often give rise to dialectical-aesthetic conflicts, but at the same time also lead to new creative expressions. Stamatis Kraounakis, steeped in the tradition of Aristophanes, with his side-splitting opera based on the myth of Lysistrata, reaches yet another pinnacle in his musical work, stemming precisely from that perfect balance between Apollo and Dionysus, as we experienced ...More

By |June 17, 2026|Categories: Festivals|0 Comments

”…Young people continue to take a keen interest in creativity and innovation…”| Interview with Konstantinos Kounetas, Director of the MSc in “Innovation & Sustainable Entrepreneurship” at the University of Patras

On the occasion of his interview with Days of Art in Greece, Professor Konstantinos Kounetas, Director of the MSc Program in “Innovative & Sustainable Entrepreneurship” at the University of Patras, addresses issues concerning the definition and significance of innovation and sustainability in the modern economy, the program’s interdisciplinary structure and academic staff, as well as the career prospects that open up for young scholars and established professionals within this interdisciplinary and highly demanding field of study. During the discussion, Mr. Kounetas explains that the program is aimed at various academic disciplines, is supported by an interdisciplinary ...More

By |June 17, 2026|Categories: EDUCATION|0 Comments
2022-08-31T09:16:02+00:00August 31, 2022|Categories: ART PLACES, Museums|0 Comments

Leave A Comment

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Go to Top