With 30 works, the painter assimilates through a richly energetic gesture a poetic identity, a genuine and wholly personal version of her inspiration, developing a subtle dialectic with colour and the other materials she uses to complete her work.

The design of the idiosyncratic morphology of her paintings maintains a solid background on which the core of the form is emphasized as well as the axes around which contrasts of color, subtle habits and the technical folding of her narrative revolve.

The choice of material and colour in Charalambous’ works is made with a strong visual instinct, a rich and honest psyche, use of symbols, thoughtfulness and sparingness.

Her creations function as a spiritual catharsis, an introspection without enclosures, without inhibitions, without conventional imprints.

There are moments in the artist’s work when it becomes very intimate and you feel that you can give multiple interpretations, that through her depictions you can discern personal emotional vibrations and intimate reflections that suggest aesthetic pleasure.

Anastasia Charalambous managed to render her presence in the visual arts in the best expressive way, to win the impressions and to prove her unlimited potential to continue her vision.

Andreas Chatzithomas, Philologist- Critic

Time is more than a measure of duration, it is a confluence of moments that reveal a slow, deliberate process of construction and deconstruction, revelation and concealment. In her exhibition, the artist treats time not only as a condition of creation but also as a material in itself, embedded in every layer of her work.

1721 HOURS speaks to the artist’s resistance to immediate completion, choosing slowness through a process of self-isolation and search for meaning.

Fabrics and colors overlap, tear and reconfigure, creating surfaces that are as much about opacity as they are about revelation. They act as palimpsests, where each successive layer hints at the unseen forces lurking beneath. Footprints of the past remain partially obscured, as if the work itself negotiates between the viewer and what remains hidden.

The emerging figures are trapped in a space of transition. The figures take shape but never fully materialize. They imply something unspoken, a desire that refuses to be fully revealed. Like fragments of a dream, the artist’s quests take shape, not as completed aspects, but as fleeting impressions – intimate and unresolved.

Eleni Agastiniotou, Curator

Duration of the exhibition 4 – 26 April 2025
Tuesday- Friday 10am – 1pm, 5pm – 8pm
Saturday 10:30am – 1pm

ARCHBISHOP CYPRIAN 15 D, E 2059 STROVOLOS, CYPRUS
Tel. 00357 99 657080