For the second consecutive year, STEGI.RADIO returns and takes over Onassis Stegi, transforming it into a kaleidoscopic music stage. With domestic and international guests coming from every corner of the global electronic scene, this year’s lineup promises to fill every space of Onassis Stegi with even more color, bold vibes, and unpredictable musical encounters.

The Main Stage is once again ‘dressed’ as a club that fills with the electro outbursts of Kittin, who comes to Athens after her impressive performance at the opening ceremony of the Olympic Games in Paris, the impetuous rhythms of the ‘Pope’ of minimal techno Robert Hood, the politicized, insurgent jazz of Irreversible Entanglements, who released their latest album on Impulse, the playful mix of disco, acid, and techno of David Vunk, the unpredictable genre marriage of Crystallmess, the cheeky combination of trap and rebetiko of Black Morris, aka Negros tou Moria, and the uproarious garage psychedelia of Acid Baby Jesus.

Onassis Stegi -1 radiates the intensity and hedonism of an underground club in a metropolitan center where different communities and subcultures meet and mix, with the frenetic beats of De Schuurman, the Mediterranean new club blend of STILL and Deena Abdelwahed, and the Afroglobal energy of Catu Diosis, artist of the Nyege Nyege Tapes label.

The Upper Stage is dedicated to Greek artists, with live performances by the now-acclaimed The Boy, the introverted, idiosyncratic Larry Gus, the up-and-coming cabaret pop singer-songwriter Kristof, and Venus Volcanism, who mixes polyphonic and traditional singing with experimental electronic music. The Upper Stage also includes a performance by Grand River, an Italian cinematic ambient artist.

Meanwhile at Onassis Stegi +3, join us for two hours-long sets by Dimitri Papaioannou, with eclectic ambient selections, and A@H2O, with dub, calypso, and reggae sounds, as well as a listening session by Invernomuto and a conversation between Yannis-Orestis Papadimitriou and Stoffel Debuysere, as part of the “Ways of Listening” program.